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Historic Structures of
Evansville, Indiana
Public Buildings
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Evansville (pop 126,272) is the seat of Vanderburgh
Co. in southwest Indiana. Incorporated in 1847, it is an important
transportation hub and a regional cultural and industrial center.
Settled in 1812, the community grew as a river port, especially
after the completion in 1853 of the Wabash and Erie Canal linking
the Ohio River at Evansville with Lake Erie. It is named for
Robert M. Evans (1783-1842), who mapped the area.
The city is the seat of the University of Evansville (1854),
the University of Southern Indiana (1965), and the Evansville
Museum of Arts and Science.
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Central Library, 1931
22 S.E. 5th St.
This building shows elements of the Art Deco style. Art Deco
was a style of design popular in the 1920s and '30s with its
sleek, streamlined forms and elegantly geometric aesthetic. Art
Deco grew out of a conscious effort to simplify the elaborate
turn-of-the-century Art Nouveau style, to make it more responsive
to the new machine-age ideals of speed and glamour.
Says Funk and Wagnall's New Encyclopedia: "It found expression
in objects as diverse as locomotives, skyscrapers, roadside diners,
radio cabinets, jukeboxes, and advertising displays.
"Primary examples of Art Deco in the U.S. are the interior
of Radio City Music Hall (1931) in New York City, designed by
Donald Deskey (1894-1989); and William van Alen's (1882-1954)
Chrysler Building (1930, New York City), with its sleek aluminum-
banded facades and arched and pointed spire."
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Zion Evangelical Church, 1855
415 N.W. 5th St.
This church is a fine example of the Gothic Revival style
of architecture, characterized by pointed arches and ribbed vaulting.
This broad style of architecture stemmed from a movement of the
18th and 19th centuries aimed at reviving the spirit and forms
of Gothic architecture.
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YWCA Building, 1924
118 Vine
One-Part Vertical Block
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YMCA Building, 1913
203 N.W. 5th St.
Three-Part Vertical Block. This was the dominant style
of tall buildings of the period. The facade is divided into three
main "zones" that, though separated, are nevertheless
closely related to one another.
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Soldiers & Sailers Memorial Coliseum,
1917
350 Court St.
Classic Revival
The Classic Revival style is distinguished by the presence
of one or more (but not necessarily all) of the following characteristics:
- Greek inspired columns and pilasters (decorative features
which imitate columns but are not load-bearing)
- Bold and unadorned exterior moldings
- Heavy cornices (overhanging projections at the top of a roof)
- Horizontal transoms (bars or openings) above entrances
The Classic Revival style can be distinguished by
the Federal or Jeffersonian styles by the absense of any fan
or arch-shaped windows, since the ancient Greeks did not use
arches.
This building is made truly unusual and striking by
the brick "wings" on either side of the poured concrete
front, the curved corners of which give the building an Art Deco
flair.
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Evansville Post Office, 1869
100 block of NW 2nd St.
Richardsonian Romanesque
This architectural style is marked by round arches
over window and door openings, extensive use of stone masonry
and, in some cases, towers. Richardsonian Romanesque was a popular
style of architecture for institutions of stability such as churches,
universities and public buildings such as train stations and
courthouses.
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Old Vanderburgh Co. Courthouse
400 Vine St.
Beaux Arts
Beaux Arts is truly design on a monumental scale,
and incorporates elements from a variety of architectural styles.It
is the style of rich decorative detail taught in the 1800s at
the Ecole des Beaux Arts, the world-famous school of fine arts
in Paris, which is especially noted for its department of architecture.
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These terrific photos are courtesy of the
photographer, Mike Habeck (mhabeck@inetdirect.net).
Mike is with EcoIndiana
and, in addition to being concerned about historic architecture,
is also looking out for the state's natural environment. Our
thanks to Mike for sharing these photos with us, as well as for
donating the server space to store them!
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